Save 50% on Rico Reeds when you purchase them from my warehouse in Torrance
I use to love it when a new client would come into the shop and before he even introduced himself I would hear “I go to the best repairman in the world in New York” my response was… “so go to him”. Not the way to get the repairman you are talking and want to repair your saxophone on your side. They really should have kept that stuff to themselves.
Rod & Pivot Screw Storage while doing an overhaul. While you are doing an overhaul it is important to be able to put the rod or pivot screw back in the same place it came out. There are several reasons for this: On an older instrument other repairmen have likely worked on them so they might changed the way the screw or rod fits the post. Even new instruments that have a lot of hand work in putting them together makes a difference. Just because it is a Selmer Mark VI pivot screw it does not mean it will fit every post on the saxophone.
Many repairmen use boards to put the rods and pivot screw in while doing the overhaul.. These boards can be knocked over spilling everything. I make boxes to put every screw and rod in, they can sit for a long time and if it gets knocked over the screws will be in the same place.
I make labels, you can call the key anything you like I do…. I use a big box with 24 compartments so there are enough for all the thinks I need and so my big fat hand cam go inside an take the pivot screw out… very important!
Low C Key Bounce:
On many saxophones the G-Sharp and Low C keys tend to bounce. The reason for this many times is the spring placement. The spring is right near the rod of the key and this allows the key to bounce unless it has a lot of tension on the spring. Not enjoyable to play with this tension.
This photo shows the traditional placement for the Low C spring.
By making a slight grove further out on the key the bounce can be made less and still have a spring tension that is usable. It does not weaken the key and allows the response time of the Low C key to be improved. I also used a stainless steel spring to help with the bounce because they tend to bounce less.
This photo shows the spring placement.
Very easy fix……
As repairmen we always want to do things right. However, we are sometimes limited in what we can do by the guys that worked on the instrument before you.
The neck cork on this Selmer Mark VI tenor is way too long. But since the guys in front of me that put the extra-long cork on the neck, I must do the same thing.
When he glued the cork on he also roughed up the neck under the cork. So not to show the bad neck scratches I had to put on a long cork.
Sometimes the guys in front of you might make different decisions on how things must work and then many times you are stuck with his decision. Even if you don’t agree with that decision.
My free music studies and exercise site is now up an running… I will continue to update it daily.
I was asked if Plasticover Reeds are good for beginners.
The short answer is NO! Plasticover reeds respond differently, have a different sound and can make playing the instrument more difficult,
Now having said that I play Plasticover reeds on both clarinet and baritone saxophone. I am likely one of the few people on the planet that play Plasticover reeds on a clarinet but I produce a respectable tone and have good control with the reeds.
I had dinner last night at Mel’s Diner on Sunset.. it was fun… I had Goat Cheese and Turkey Sliders… It had a lot of green stuff on it… I usually don’t eat things that are green, first time I ever tried that…
8585 Sunset Blvd.
I am not sure if everyone knows I am still doing clarinet and saxophone repair. If you need any work please call me at: 818-985-9846. for an appointment……